Big, Funny, and Proud, a guest post by Rebecca Elliott
That’s my character Haylah in my book Pretty Funny for a Girl. And I don’t necessarily mean “big” in the physical sense, although Haylah (known as “Pig” to her friends) is dealing with body confidence issues surrounding her plus-size figure. She’s big in her personality, ambitions, opinions, and passions. I wrote the character as a reaction to the message we are so often spoon-fed—that girls are pretty, meek, innocent, and sweet, or else they are slutty and objectified. Either way, girls are passive and not yet a fully formed thing, and when they are, they’re past their best.
WHAT A LOAD OF BALL-BAGS!
This narrow description, consistently shoved in our faces by the media and society, literally fits NO teenage girl I have ever met. EVER.
Girls are exciting and passionate and strong and ambitious and fierce and wonderfully weird and a hundred different things in any given moment. And girls are funny. So frickin’ funny. Yet often the girls who know they’re funny, know they’re clever, know their personality is brighter and bigger than any room could possibly hold still feel like a no one. Why? Because the crappy societal pressures, ever more present in today’s Instagrammy world, tell them they don’t live up to the impossible and downright dull expectations we put on girldom.
Using stand-up comedy, which is a big fear for a lot of people, seemed like a good way to explore my main character’s bravery, not in a dystopian-hero-saving-the-world kind of way, but in more of a relatable way. Even if it’s not a career readers are interested in, I think there’s so much in stand-up that teens can identify with: the intense vulnerability and the desire to be noticed and heard but not to be judged. Plus it’s a good excuse to make a lot of jokes and hopefully make readers laugh. Because, as Haylah says, “When you find the funny in this serious world that is so often full of pain and cruelty, it’s like discovering a diamond in a cave of crap. It’s precious.”
So aside from my own life-long love of comedy, this is another reason why I chose to have Haylah deal with both body image and her confidence as a comedian at the same time. Because girls are already in many ways standing on a stage feeling like the world is staring at them and judging them, and I wanted my character to voluntarily take that leap onto centre stage and find the confidence to proudly be herself, to say, “This is me, with all my perfect imperfections, and dammit I have a voice and deserve to be heard!”
I very much didn’t want the body image thing to be the central theme of the book. So often when plus-size female characters are the main protagonists of books and movies, their weight is the major factor, the main narrative hook to hang everything else from. But guess what: when you are bigger, that usually isn’t the main thrust of your own narrative (and I certainly never wanted to lead her towards some “happy” ending where she loses the weight and all is well with her world—like thin people have it all sorted too!).
Yes, Haylah feels that she’s big and at times wrestles with the way that makes people perceive her, but for the most part she’s quite happy with herself and what she thinks about way more than the way she looks is her ambition to do something amazing—become a stand-up comedian. I only wish that the way we look, particularly for teenagers, could take a back seat to the way more important stuff, like our passions and ambitions.
Whilst, as with most of us, Haylah may always struggle a little with her body confidence, I think she’d also say that one of the coolest realisations as a feminist is that there is no right or wrong way for a girl to look, to dress, to act, so be you big, small, loud, shy, “masculine,” “feminine,” high-heeled and preened, DM-wearing and pierced, and anything and everything in-between and outside—it’s ALL GOOD, and it’s all beautiful. We are sold, particularly on social media, the ideal of “perfection,” whereas the message should, of course, and particularly in respect to teenagers already bombarded by judgement and pressure, be that YOU ARE PERFECT REGARDLESS. By getting on stage and being the girl she is, nothing more, nothing less, Haylah isn’t proving that she thinks herself perfect, but that she’s happy in her own skin; as Sophia Bush so eloquently put it, “You are allowed to be both a masterpiece and a work in progress, simultaneously.”
So I hope one of the central themes of the books is screw the haters, screw the ridiculous expectations of society and social media, the only opinion of you that matters is your own opinion. So be whoever the hell you want to be and be proud—shoulders back, tits out, and go show the world who you really are.
I hope the book resonances with readers, and particularly those closest to my heart—the gobby, opinionated, wildly inappropriate, larger-than-life girls who make you laugh until you pee your pants. The girls who need to shake off society’s ridiculous expectations of them, jump under the spotlight and crack on with joyously wobbling their funny bits in the face of life.
Meet Rebecca Elliott
REBECCA ELLIOTT is an author and illustrator of many picture books and The Owl Diaries early chapter book series. Pretty Funny for a Girl is her first YA novel. She earned a degree in philosophy and once did a brief stint in a dull office. Now, she enjoys eating angel delight, loudly venting on a drum kit, and spending time in her sunny garden. She lives in England with her family, some chickens, and a cat named Bernard.
Find Rebecca’s book at Bookshop.org: https://bookshop.org/books/pretty-funny-for-a-girl/9781682631478
About Pretty Funny For a Girl
A candid and laugh-out-loud journey of family, friends, and fierce mistakes.
Haylah Swinton is an ace best friend, a loving daughter, and an incredibly patient sister to a four-year-old nutcase of a brother. Best of all, she’s pretty confident she’s mastered making light of every situation—from her mom’s new boyfriend to unsolicited remarks on her plus-sized figure. Haylah’s learning to embrace all of her curvy parts and, besides, she has a secret: one day, she’ll be a stand-up comedian star.
So when impossibly cool and thirstalicious Leo reveals he’s also into comedy, Haylah jumps at the chance to ghost-write his sets. But is Leo as interested in returning the favor? Even though her friends warn her of Leo’s intentions, Haylah’s not ready to listen—and she might just be digging herself deeper toward heartbreak. If Haylah’s ever going to step into the spotlight, first she’ll need to find the confidence to put herself out there and strut like the boss she really is.
Rebecca Elliott’s hilarious and authentic narrative voice is sure to capture readers’ hearts as her plus-sized, teenage heroine navigates learning to love the body she’s in while dealing with friends, family, and boys.
Publisher: Peachtree Publishing Company
Publication date: 10/01/2020
Age Range: 12 – 16 Years
Filed under: Uncategorized
About Amanda MacGregor
Amanda MacGregor works in an elementary library, loves dogs, and can be found on Twitter @CiteSomething.
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