Writing Your (Hidden) Self, a guest post by Jessica Pennington
I write romance. I write kissing books. I write love stories.
I don’t know how many times I gave those answers—at book launches and conventions, festivals, and family functions—before I realized it wasn’t the most accurate description of my work. Yes, my stories are full of sweet book boyfriends and swoony kisses. There are nights under the stars getting to know someone new, and long, painful discussions with former first-loves. And they are most definitely the type of books you see being read poolside or at the lake. But that’s not the only thing all of my books have in common.
As authors, many of us set out to write a book and have a map of where it will go. We have character sketches, plot points, beginnings and endings in mind. Some authors don’t, but for now let’s just say a lot of us do. Personally, I can’t even start a project until I have at least a general idea of where I’m headed. Of course, even for plotters, stories change along the way; characters reveal themselves to us, or a really great scene can steal the show and send us in an entirely different direction. Still, as the author, we have ultimate control of the story and the words we put on the page.
Despite that illusion of control, it took me two published books and five years to figure out what I was actually writing. My debut, Love Songs & Other Lies is about two teens who are unexpectedly trapped with their ex on a battle of the bands tour bus, but it’s also about a girl who doesn’t know how to share her feelings, even with those closest to her, except in the form of song lyrics. And it’s about caring for someone so much that you accept less than you deserve, just to preserve the relationship.
When Summer Ends is about two teens forced to work together when each of their summer plans fall apart, but it’s also about a girl who has planned her future so carefully, that she can’t see the problems—or fresh new potential—in her present.
And by the time I wrote Meet Me At Midnight, I already knew it wasn’t just going to be about two teens forced to vacation together while torturing one another with yearly pranks, until they’re forced to call a truce and work together. It’s also about a girl who is emotionally guarded, and finds control in her life by meticulously organizing and planning things.
It may have taken me two-hundred-thousand written words to figure it out, but I finally did: I write stories about girls like me. Not thirty-seven-year-old me, of course (wow, what a disappointing YA novel that would be) or even the teen girl I saw myself as at the time, but the teen girl I didn’t realize I was until I started writing parts of myself into my stories.
As authors, we’re always hearing about how books affect readers, but one thing I’ve thought about a lot while stuck in my house for the last three months, is just how much writing my books has affected me. It’s funny how looking at your life from the outside can show you a new perspective, even fifteen years later.
I didn’t realize how dysfunctional one of my high school friendships was, until I tried putting it on the page in Love Songs & Other Lies. The friend I read in that first draft was not the one I remembered, but it was accurate. So I re-wrote that character into the friend I wish I’d had—the person that would have been what I actually needed in high school. Olivia in When Summer Ends is stripped of her carefully laid plans and shown that flipping a coin and living life by chance isn’t the great disaster she would have thought. I gave my social anxiety to Sidney in Meet Me At Midnight, and forced her not only to acknowledge it, but to find someone who held her hand and loved her through it.
Today, when I describe my books, I still say I write romance, but more importantly, I write books about girls like me: Type-A, focused, self-conscious, anxious, driven, emotionally guarded, a little too serious sometimes, and absolutely worthy of love. I write teen girls who need to make some mistakes to realize not all mistakes are bad. And I hope that readers will see my characters bruised-but-not-broken (and in love) and they’ll discover some things about themselves, too—hopefully twenty years earlier than I did.
Meet Jessica Pennington
Jessica Pennington is the author of contemporary romance novels for young adults (and the young at heart), including Meet Me At Midnight, When Summer Ends, and Love Songs & Other Lies. A self-proclaimed “professional romantic,” she has spent the last fifteen years immersed in love–first as a wedding planner and now a novelist. Jessica lives in a Michigan beach town suspiciously similar to the one in her novels, with her husband and son.
Sign up for her monthly newsletter The EpistolarYAn here: http://itsjess.com/newsletter/
About MEET ME AT MIDNIGHT
They have a love-hate relationship with summer.
Sidney and Asher should have clicked. Two star swimmers forced to spend their summers on a lake together sounds like the perfect match. But it’s the same every year—in between cookouts and boat rides and family-imposed bonfires, Sidney and Asher spend the dog days of summer finding the ultimate ways to prank each other. And now, after their senior year, they’re determined to make it the most epic summer yet.
But their plans are thrown in sudden jeopardy when their feud causes their families to be kicked out of their beloved lake houses. Once in their new accommodations, Sidney expects the prank war to continue as usual. But then she gets a note—Meet me at midnight. And Asher has a proposition for her: join forces for one last summer of epic pranks, against a shared enemy—the woman who kicked them out.
Their truce should make things simpler, but six years of tormenting one another isn’t so easy to ignore. Kind of like the undeniable attraction growing between them.
Publisher: Tom Doherty Associates
Publication date: 04/07/2020
Age Range: 13 – 18 Years
Filed under: Uncategorized
About Amanda MacGregor
Amanda MacGregor works in an elementary library, loves dogs, and can be found on Twitter @CiteSomething.
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