Book Review: Blood Water Paint by Joy McCullough
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father’s paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome’s most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost.
He will not consume
my every thought.
I am a painter.
I will paint.
Joy McCullough’s bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia’s heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia’s most famous paintings but sources of strength as she battles to paint a woman’s timeless truth in the face of unspeakable and all-too-familiar violence.
I will show you
what a woman can do.
17-year-old Artemisia understands the way the world works: women are a beauty for consumption by men. There are many expectations for women and few freedoms. She understands that girls are prey, that they are seen as things and possessions. Artemisia, ostensibly an apprentice to her painter father, though clearly far more skilled than he, begins to paint biblical women she knows intimately from her mother’s stories, knowing a man could never capture the truth of the story the way a woman could. Her mother’s stories made clear the heavy burden of the inescapable male gaze, but they also made clear Artemisia’s (and all women’s) right to be outraged, to act, to push back, to speak up. These woman from her mother’s stories, Judith and Susanna, come to be her strength and solace when Artemisia is raped by Agostina Tassi, her painting tutor. Artemisia tells her father of the rape and they take Tino to trial. But, of course, it is not Tino on trial, but Artemisia’s virtue.
Both the stories from Artemisia’s mother and Artemisia’s own story ask the readers to bear witness, to see the truth, to hear the voices, to understand the strength in the stories. The stories are the weapons, the armor, the refuge, and the map. This intensely passionate and powerful exploration of women’s lives, stories, truths, and power is a masterpiece.
Review copy courtesy of the publisher
Publisher: Penguin Young Readers Group
Publication date: 03/06/2018
Filed under: Book Reviews
About Amanda MacGregor
Amanda MacGregor works in an elementary library, loves dogs, and can be found on Twitter @CiteSomething.
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