Book review: Cut Me Free by J.R. Johansson
One of these days, I’m going to post the list of “things in YA books that are pet peeves/we’re so over/we flat-out hate” that I started with my YA book club. I referenced it in my review of The Prey (things from our list that that book hits: dystopia-fatigue and love triangles). I bring it up here because one of my reading pet peeves is when the entire plot of a book could be resolved or diverted by a character having one conversation or taking one step.
In J. R. Johansson’s Cut Me Free, Piper, the main character, has a ton of really compelling reasons to go to the police. Now, ostensibly she doesn’t do this because (as you’ll learn when you read the book), she doesn’t trust them. She’s worried about the consequences because of past incidents. But the reasons to go to the police multiply and at a certain point I shoved this book aside and shouted, WHY?! Let’s see: Piper has been kept captive and tortured for YEARS by the Parents (her Mother and Father, whom she always capitalizes and never refers to as “my,” always “the”). They killed her little brother. Piper managed to escape. She then, while living under the radar, stumbles across a little girl whom she thinks is being abused. She saves her, but they’re now being hunted and played with by some sicko who knows her real name (she now goes by Charlotte), repeatedly breaks into her apartment, and threatens her life. GO TO THE POLICE. Or get someone to go to the police on your behalf. But who could she ask? Probably not Cam, the boy who sets her up with new forged documents and has connections to the mob. Probably not Janice, her neighbor who is also apparently living under an assumed name/on the run from something/one. I know it’s not that simple—something bad is happening, just go to the police. In books or real life. But because of how the plot unfolds and how much is at stake, I was desperately irritated that she was not trying to ensure her safety or the safety of Sanda (the young girl she rescues). Sure, go take on this complete psychopath on your own, Piper. Sounds great. If it’s the Father come looking, you know he’s VICIOUS and crazy. If it’s Sanda’s captor, you know he’s VICIOUS and crazy. (Yes, that sound was me screaming at my computer.)
Here’s the thing: based on the blurb, I wanted to read this. I thought it might be a really interesting look at abuse. When she rescues Sanda and learns she lived in an orphanage in Myanmar, was taken, worked cleaning for a rich family, and then was sold to her captor, I thought, ugh, but also, tell me more. Too bad, me! You don’t get more! I thought maybe there would be more about child trafficking, some greater plot or information or something, but no. Here’s what we do get a lot of: really horrific scenes of brutality. REALLY HORRIFIC. Like, to the point that I eventually almost couldn’t read them because they felt less necessary to the story and more gratuitous. I felt like a voyeur. There are some flashbacks to the nightmarish 10 years Piper spent living in an attic and being abused (though, again, I wanted more of her story filled in). There’s what Piper sees when she begins to observe Sanda’s situation and what she discovers when she eventually rescues her. But it’s everything that happens once Piper comes face to face with her stalker that is just shocking. I know some people like books that are like this—graphic, violent, bloody, disturbing—and I’m usually okay with them. But this one was rough.
Fans of thrillers who like mind games will tear through this. I found it overwritten, sensational, lacking in meaningful world-building, and outside the bounds of believability. Much like The Prey, it features a completely unnecessary romance storyline. Cam could still have been a large part of the story and a significant person in Piper’s life without having to be the forced-feeling love interest that shows Piper she can trust and love someone (and really, a lot of their relationship made me uncomfortable, from his savior complex to their physical interactions in Krav Maga). Honestly, a more compelling story (to me) would have been more of a focus on the 10 LONG YEARS Piper spent locked up and tortured, more about what she did to escape the Parents, and how exactly she managed to travel from Wyoming to Philadelphia (especially after having spent nearly all of her life completely removed from all society and having, in theory, only a very rudimentary understanding of how real life works. I mean, we’re supposed to believe that she can’t figure out how to remember how much coins are worth, but she can escape, flee, and take on a crazed lunatic all on her own? Oooookay). At the end, an author’s note says she is “passionate about advocating for victims of human trafficking.” I believe that, and of course admire that and any attempt to bring more attention to this issue. Human trafficking is but one small piece of this psychological thriller. Read this one if you like suspense and don’t mind suspending your disbelief long enough to go along with what most of this story asks of you.
REVIEW COPY COURTESY OF NETGALLEY
Publisher: Farrar, Straus and Giroux
Publication date: 1/27/2015
Filed under: Book Reviews
About Amanda MacGregor
Amanda MacGregor works in an elementary library, loves dogs, and can be found on Twitter @CiteSomething.
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